Like Father, Like Son?

Many of you commented in class about the relationship between Antonio and Bruno.  Bruno admires his father at the beginning of the film, imitates his gestures and actions, looks at him with admiration.  Yet the search for Antonio's bicycle puts a strain on that relationship.  Antonio often fails to notice that Bruno is in harm's way and even strikes him.  Furthermore, Bruno watches as Antonio himself becomes a bicycle thief and is humiliated by a crowd.  What do you make of this relationship  How does it evolve (or devolve) over the course of the film?  What does the film tells us about fathers and sons?  About family?

Bicycles v. Uniforms: Who Has the Last Laugh?

On the surface Bicycle Thieves and The Last Laugh have the same plot.  In both films the protagonist either loses his job or will likely lose a job and in a desperate bid to restore that job they need to reacquire or even steal a precious object that symbolizes their position, a bicycle or a uniform, respectively. Furthermore, if we ignore the "happy ending" imposed by the studio on The Last Laugh, both protagonists end the movie defeated and depressed with seemingly little hope for a better future.  Nonetheless, despite these similarities, these are different movies.  In what way are they different?  What is the social or moral message of each?  What are each say about the society of their times (Germany in the 20's and Italy in the 40's)?  How do they differ on questions of social mobility, morality or the family?  Is one more hopeful or cynical?

Fides

When Antonio's bicycle is stolen, he loses more than a bike. The brand name of the bicycle "Fides" (Faith in Latin) suggest it has symbolic value. What is the significance of that symbol? What does Antonio lose? Are there other symbols in this film?