Like Father, Like Son?

Many of you commented in class about the relationship between Antonio and Bruno.  Bruno admires his father at the beginning of the film, imitates his gestures and actions, looks at him with admiration.  Yet the search for Antonio's bicycle puts a strain on that relationship.  Antonio often fails to notice that Bruno is in harm's way and even strikes him.  Furthermore, Bruno watches as Antonio himself becomes a bicycle thief and is humiliated by a crowd.  What do you make of this relationship  How does it evolve (or devolve) over the course of the film?  What does the film tells us about fathers and sons?  About family?

Bicycles v. Uniforms: Who Has the Last Laugh?

On the surface Bicycle Thieves and The Last Laugh have the same plot.  In both films the protagonist either loses his job or will likely lose a job and in a desperate bid to restore that job they need to reacquire or even steal a precious object that symbolizes their position, a bicycle or a uniform, respectively. Furthermore, if we ignore the "happy ending" imposed by the studio on The Last Laugh, both protagonists end the movie defeated and depressed with seemingly little hope for a better future.  Nonetheless, despite these similarities, these are different movies.  In what way are they different?  What is the social or moral message of each?  What are each say about the society of their times (Germany in the 20's and Italy in the 40's)?  How do they differ on questions of social mobility, morality or the family?  Is one more hopeful or cynical?

Fides

When Antonio's bicycle is stolen, he loses more than a bike. The brand name of the bicycle "Fides" (Faith in Latin) suggest it has symbolic value. What is the significance of that symbol? What does Antonio lose? Are there other symbols in this film?

Jay Gatsby v. Charles Foster Kane

Most of us read The Great Gatsby in our sophomore Humanities class. Both Gatsby and Citizen Kane,produced about twenty years apart, focus on a man who some might say is the epitome of success. What similarities and differences do you see? Are these works celebrations or critiques of these men, or somewhere in between?  Or something else?  Do they tell us anything about the American Dream?

Jigsaw Narrative

Multiple narrators tell he story of Charles Foster Kane's life.  We see his life in a newsreel format, in Thatcher's memoirs, and as told by Bernstein, Leland, Susan Alexander, and even Raymond, the butler.  What is the point of telling the story in this way?  Does each narrator give a specific "spin" or have a particular bias?  Does each see a distinctive aspect of Kane's personality?  Is each section told in a different way, utilizing different techniques of filming (such as camera angles, deep focus, lighting, or even choice of music)?  What" bang for our buck" do we get from this jigsaw narration?  Is it equal to or greater than the sum of its parts?

Rosebud

Rosebud is perhaps the most famous symbol in movie history. What is the significance of the name "rosebud?" What is the significance of the sled? Is it the key to understanding Kane's life or just one missing piece of a jigsaw puzzle that does not explain much at all? A meaningful symbol or a MacGuffin? Are there other symbols in the film that are more meaningful or complement you reading of the sled (such as statues, jigsaw puzzles, Xanadu, etc)?

Is Eve a Feminist -- Or Adam's Rib?

The film The Lady Eve has a powerful female protagonist who dominates the action to get what she wants.  She is a successful professional who is good at her job.  She is sharp as a knife, tough as nails, and does not suffer fools gladly.  Some might argue these all point to a feminist viewpoint in the film. Yet, at the same time, Jean/Eve's career is as a grifter whose "professional" skill is to get men to fall in love with her.  She also lets her emotional life get entangled with (and undermine) her professional ambitions (she succeeds, after all, by marrying).  And the film plays with sexist stereotypes about "loose" women with "loose" morals.  Is this film feminist -- or at least sympathetic to feminist ideals -- or is it yet another example of sexist cinema? Or something in between?